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Warm Valley - Marty Paich - Jazz West Coast (Vinyl, LP, Album)

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8 thoughts on “ Warm Valley - Marty Paich - Jazz West Coast (Vinyl, LP, Album)

  1. Aug 26,  · 50+ videos Play all Mix - Warm Valley (Remastered Version) YouTube It Don't Mean A Thing - Marty Paich (HQ) - Duration: thebluedesertlounge 12, views.
  2. * Kapp KXL Russell Garcia, Warne Marsh, Marty Paich, Billy Ussleton, John Towner, Med Flory - A Notable Exhibition By West Coast Jazz Artists - Modern Jazz Gallery. Marty Paich Quartet. Marty Paich, piano; Howard Roberts, guitar; Joe Mondragon, bass; Larry Bunker, drums, vibes. Radio Recorders, Los Angeles, CA,
  3. Check out Warm Valley (Remastered Version) by Marty Paich on Amazon Music. Stream ad-free or purchase CD's and MP3s now on mezishakarhuginisdaikasa.xyzinfo
  4. MARTY PAICH - I Get a Boot Out of You: The Modern Touch of Marty Paich Cheesecake Records Art Pepper (alto sax) Jack Sheldon, Al Porcino, Conte Candoli, (trumpets) Bill Perkins (tenor sax) Bill Hood (baritone sax) Bob Enevoldsen (valve trombone) George Roberts (bass trombone) Vince de Rosa (flugelhorn or French horn) Victor Feldman (vibes) Russ Freeman (piano) Joe Mondragon (bass) Mel.
  5. It is, nevertheless, the finest Marty Paich album I've heard to date. It has a warm and relaxed "fifties" ambiance to it that is irresistable--and most engaging. This is a review of the vinyl album that I received in the mail just a few days ago. The liner notes only list a handful of musicians, so I don't know the complete personel/5(8).
  6. May 21,  · Discover releases, reviews, credits, songs, and more about Marty Paich - I Get A Boot Out Of You at Discogs. Complete your Marty Paich collection/5(47).
  7. Label: Rhino Records (2) - RHI,Warner Bros. Records - none • Format: Vinyl LP, Album, Reissue • Country: US • Genre: Jazz • Style: Free Improvisation, Swing Marty Paich - I Get A Boot Out Of You (, Vinyl) | Discogs.
  8. One of Marty enduring contributions to the “West Coast Sound” was the development of arrangements that “ are gems of control and restraint; they boot the musicians along without unduly distracting attention from the soloists.” [Bob Gordon, Jazz West Coast: The Los Angeles Jazz Scene of the s, London: Quartet Books, , p.

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